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Day is Done

Dec 7, 2018 Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

Jan 21, 2018 “Nadiv Lapid’s Hebrew-language The Kindergarten Teacher was one of the more unshakable films of 2015, with its wonderfully inscrutable nature,” begins Jordan Hoffman in the Guardian. “One of the most important things that writer-director Sara Colangelo has done in her...

Oct 5, 2017 For kicks, I’m opening this one with something I wrote myself back in February, just hours after seeing the film at the Berlinale: “Aki Kaurismäki’s uneven but irresistibly amusing The Other Side of Hope, dedicated to the late film historian...

Jul 18, 2017 During a period of personal turmoil, Andrei Tarkovsky created this enigmatic masterpiece, which explores spiritual and metaphysical mysteries through the prism of a science-fiction epic.

Jun 14, 2017 A tireless explorer of cinema’s discarded past, Bill Morrison brings his unique approach to found-footage filmmaking to his latest project, a documentary about lost reels of nitrate film found in Canada’s Yukon Territory.

Jun 8, 2017 When we think of American cinema in the 1970s, it’s the “New Hollywood” that first comes to mind, landmark films such as The Godfather and Taxi Driver, Nashville and Chinatown. In his new book, Opening Wednesday at a Theater or...

Jul 18, 2016 Criterion’s resident researcher and web producer takes a trip to Madrid bookstore Ocho y Medio, which she calls “a shrine to Spanish contributions to the seventh art.”

Mar 18, 2013 Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.

Jun 20, 2012 I have John Schlesinger to thank for my role in Harold and Maude. I’d been in Sunday Bloody Sunday for John. He had given Hal Ashby my name to look up when Hal was interviewing all the famous English dames...

Jan 22, 2026 This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.

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