The Criterion Collection
Sep 19, 2012 — Marcel Carné’s tale of love and devilry in medieval France was a sensation during the German occupation.
Aug 26, 2025 — Alice Wu’s feature debut is a romantic comedy in which the most compelling relationship is the one between a young queer Chinese American woman and her long-widowed mother.
The Daily
Sep 28, 2017 — Let’s start today with a few interviews. I’ve opened the NYFF 2017 Index with a snippet from poet Peter Gizzi’s conversation with New York Film Festival director Kent Jones for BOMB, but I want to flag it again because they...
May 30, 2017 — In his brilliantly inscrutable debut, Apichatpong Weerasethakul blends documentary authenticity with wild flights of imagination.
Essays
Oct 4, 2011 — Vilified, censored, banned, denied commercial distribution, and long unavailable, Pier Paolo Pasolini’s infamous film lives more in reputation and rumor than in memory.
Features
Mar 18, 2020 — People talk a lot about the way that Rita Hayworth looked. She was the Hollywood “love goddess,” with a sensational figure, a dazzling smile, and hair that fell in long, auburn waves. The pinup so iconic that her posters were...
On the Channel
Nov 13, 2024 — Spend the holiday season with the Pope of Trash, the Master of Suspense, MTV Productions’s turn-of-the-century thrills, and Columbia Pictures’s pre-Code button-pushers.
Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.
On the Channel
Nov 30, 2020 — Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...
The Daily
Feb 12, 2018 — Icelandic composer, musician, and producer Jóhann Jóhannsson is gone too early at the age of forty-eight. “Known for compositions that often blended electronics with classical orchestrations, Jóhannsson credits include the Golden Globe-winning score for 2015’s The Theory of Everything,” writes...