The Criterion Collection
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.
Essays
Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.
The Daily
Jun 10, 2022 — This week: Sarah Maldoror and Wayne Wang, plus new issues and features and the return of Film Studies for Free.
Jun 1, 2022 — With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.
May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.
May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...
Essays
May 17, 2022 — Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.
The Daily
May 4, 2022 — The twenty-fifth edition offers lavish decadence, experimental poetry, and timely poignance.
The Daily
Apr 28, 2022 — For half a century, the Indian documentarian has won accolades abroad while fighting censorship at home.
Production Notes
Apr 22, 2022 — Over my forty-plus years at Janus and Criterion, few films have meant more to me than For All Mankind, because of my lifelong passion for space travel. I remember being a second-semester freshman and registering for Astronomy 101. It was...