The Criterion Collection
Apr 26, 2010 — In the late 1940s, driven by the opening-night ovations for A Streetcar Named Desire, Tennessee Williams embarked on more than a decade of immense success. During this period, he wrote at a furious pace: Summer and Smoke, The Rose Tattoo,...
Nov 3, 2009 — If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.
Aug 11, 2008 — Every Guy Maddin movie creates the illusion of a secret history. His willfully primitive cut-rate spectacles seem like artifacts, reanimated bits of cultural detritus, but also like hauntings, the return of the cinematic repressed. From the start, Maddin’s sensibility was...
The Daily
Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.
Apr 29, 2025 — A gritty look at New York City’s underground economy through the eyes of an immigrant street hustler, Sean Baker’s third feature film demonstrates his gift for combining hardscrabble social realism and mischievous humor.
The Daily
Apr 25, 2024 — The American Cinematheque presents all six features, including the Los Angeles premiere of Eureka.
On the Channel
Jun 29, 2022 — This month on the Channel brings a collection of boxing movies, a survey of film noir steeped in expressionistic color, and a tribute to the classic Hollywood director Henry King.
The Daily
Jun 10, 2019 — The new issue focuses on the impact of Alfonso Cuarón’s Roma, women’s film criticism, and Hollywood’s international productions.
The Daily
Jun 7, 2018 — The Ukraine-based filmmaker saw her work lauded and banned.
Feb 16, 2016 — In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.