Anger

Jul 28, 2020 — Having won the hearts of audiences and costars, one of the brightest lights of Hollywood’s golden age also scored a landmark victory in the courts.

Jul 2, 2020 — New issues of photogénie, Comparative Cinema, and SCMS+ take on an array of raging crises.

Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

Jun 18, 2020 — When Jamie Babbit’s But I’m a Cheerleader made its theatrical premiere in July 2000, it was entering a queer political landscape vastly different from the one we live in today. Over the last two decades, we’ve witnessed the rise of LGBTQ...

Jun 15, 2020 — This month we’re looking at books on topics ranging from Japanese animation to Hollywood movie stars to jazz on the big screen.

Jun 12, 2020 — We’ve got a disparate set of highlights this week: Arthur Jafa, Josephine Decker, Bill Duke, Tsai Ming-liang, and the late Lynn Shelton.

Jun 11, 2020 — Early reviews suggest that this may be one of Lee’s most vital and immediately relevant features yet.

May 27, 2020 — “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...

May 11, 2020 — One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...

Apr 30, 2020 — Check out what’s in store next month on our streaming service!