The Criterion Collection
The Daily
Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.
Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
Sep 27, 2018 — A look inside the process of collaborating with Terrence Malick on the new cut of his 2011 masterpiece.
May 24, 2018 — The late novelist’s work has proven to be an all but insurmountable challenge to screenwriters—but there’s hope.
May 17, 2018 — The Los Angeles noir starring Andrew Garfield is met with mixed reviews.
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.