The Criterion Collection
Essays
Jul 9, 2001 — With its dunderhead millionaires, erudite bums, effulgently dysfunctional families, and beneficent providence, My Man Godfrey is the Depression comedy par excellence. It is also, superficially at least, a movie about the Depression. A suicidal millionaire regains his zest for living...
The Daily
Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.
The Daily
Apr 19, 2024 — Revivals of work by Frank Borzage, Ken Loach, and David Fincher are among this week’s highlights.
The Daily
Mar 16, 2023 — New York’s Film Forum presents new restorations of the three features Moreau directed.
The Daily
Jan 9, 2020 — The UCLA Film & Television Archive presents a series of films bearing aesthetic and political similarities to the Italian neorealist classics of the late 1940s.
May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.
The Daily
Aug 20, 2025 — He locked eyes with audiences in films by Pasolini, Soderbergh, Frears, Stephen Elliott, and Edgar Wright.
The Daily
Sep 1, 2023 — Stan Lee meets Alain Resnais, plus interviews with Molly Haskell, Babette Mangolte, and Manohla Dargis—and James Quandt on Jean Eustach
Criterion Designs
Oct 27, 2022 — To capture the spirit of Frank Capra’s dark screwball classic, Criterion enlisted a longtime collaborator to create an image that combines the influences of Old Hollywood illustrator Jacques Kapralik and legendary pen-and-ink artist Edward Gorey.
Production Notes
Jan 28, 2022 — 1. In 1995, director Lars von Trier contacted Thomas Vinterberg, whom he considered the most promising young Danish filmmaker. (Vinterberg had then not yet made his first feature film, The Biggest Heroes, but had directed two well-regarded shorts, Last Round...