The Days

Aug 4, 2017 — Olivier Assayas’s next project is E-book, a “full-blown comedy” starring starring Juliette Binoche, Guillaume Canet, Vincent Macaigne, Christa Theret and Pascal Gregory, report John Hopewell and Emiliano Granada for Variety. In Locarno, where he’s currently presiding over the competition jury,...

Apr 22, 2014 — Carl Theodor Dreyer’s spare and modern visual style perfectly complements this comic and soulful domestic comeuppance story.

Oct 26, 2011 — Performances The galumphing hulk who terrorized early sound cinema audiences in Frankenstein (1931) and The Mummy (1932), Boris Karloff was the movies’ politest monster. Even in his darkest on-screen moments, the London-born Karloff (né William Henry Pratt) exhibited a regal...

Jan 26, 2010 — If Paris, Texas is a love letter to America and American cinema, it now also has something of the feel of a farewell: the world to which Wenders pays homage is vanishing fast.

Dec 1, 2009 — Mick Jagger’s former assistant remembers the joy and chaos of touring with the Stones.

Jun 30, 2008 — The novelist Mishima Yukio stepped behind the camera to adapt his own short story, which depicts the act of seppuku as a thing of beauty.

Nov 18, 2025 — This tale of paranoia and romantic jealousy slyly combines the conventions of popular Mexican filmmaking with the surrealist sensibility that made its director, Luis Buñuel, a legendary figure in his native Spain.

Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.

Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Jan 9, 2023 — The films in the Criterion Channel collection Free Jazz chronicle the development of a deeply experimental music that has baffled and enthralled listeners in equal measure.