Take Me

Apr 15, 2026 — The festival presents winners of top prizes in Rotterdam and Locarno as well as highlights from Cannes and Berlin.

Apr 14, 2026 — New films from Radu Jude, Clio Barnard, Lisandro Alonso, and Alain Cavalier are headed to Cannes.

Apr 6, 2026 — New York’s Film Forum screens thirteen features by the master of urbane comedy.

Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

Mar 24, 2026 — In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.

Feb 27, 2026 — Tony Kushner revisits Munich, a Satyajit Ray restoration hits theaters, and the new Film Quarterly is out and free.

Feb 19, 2026 — Though in many ways the quintessential company man, the director brought an intimate understanding of the margins of American society to the films he made for Warner Bros. in the 1930s.

Feb 13, 2026 — This week brings a tribute to Diane Keaton, notes on Taxi Driver at fifty, and three flights of the spirit.

Jan 29, 2026 — Critics have taken a liking to the new films from Olivia Wilde, Padraic McKinley, and John Wilson.

Jan 29, 2026 — A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.