The Criterion Collection
Apr 14, 2014 — Lars von Trier brought his brand of provocation to his widest audience yet with this inquiry into faith and human goodness.
Essays
Jan 7, 2014 — Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.
Sneak Peeks
Dec 17, 2013 — Prepare yourself for The Housemaid. Available in our new collector’s set Martin Scorsese’s World Cinema Project, Kim Ki-young’s twisted little tale, about a bourgeois family whose lives are thrown into dangerous disarray by the arrival of a live-in domestic, throws...
Essays
Dec 16, 2013 — Here at last comes the time of ecstasy, of trances.Those who refuse to their senses the gift of trances shall wither.Brothers in trances, when will freedom come?They threw me out of my land and country.May my star shine. [. ....
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...
Jul 23, 2013 — Asked by French journalists in a 2001 interview what recent films he most admired, Brian De Palma named Ang Lee’s 1997 The Ice Storm. It was surprising to hear one of the leaders of a filmmaking revolution that aimed at...
Jun 26, 2013 — On the life and work of the famous Czech author, and the pleasures and challenges of translating him.
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...