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Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...

Sep 24, 2020 — Taking all the necessary precautions, Paul Thomas Anderson, Jacques Audiard, and Paolo Sorrentino are back at work.

Sep 23, 2020 — From Hitchcock’s orbit to The Architecture of Cinematic Spaces, here’s some of this month’s best writing on new books.

Sep 22, 2020 — Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...

Sep 22, 2020 — The New Yorker’s music critic traces the history of the composer’s impact on art, culture, and the movies.

Sep 18, 2020 — The late scholar Robert Bird’s final essay on Tarkovsky and fresh writing on Béla Tarr, Eric Rohmer, and more are among this week’s highlights.

Sep 16, 2020 — When I think of Albert Brooks, the first image that invariably comes to mind is that of a worry-stricken man desperately impressing his anxieties upon a bemused, notably less nebbishy partner, presenting an elaborate case for the legitimacy of those...

Sep 14, 2020 — Golden Lion for Chloé Zhao! Plus a look at what the critics have to say about all the award winners.

Sep 11, 2020 — On our minds this week: New Taiwan Cinema of the 1980s, Black cinema’s “paradoxical role in American cultural history,” the new Brooklyn Rail, and more.

Sep 10, 2020 — In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.