† His Return

Jul 23, 2024 — Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

Jul 18, 2024 — Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.

Jul 11, 2024 — Metrograph’s series celebrates the legacy of one of the most notorious cinema clubs in London.

Jul 3, 2024 — Pop Shakespeare, 100 years of Disney, and conversations with Isaac Julien and Steven Soderbergh are among this week’s highlights.

Jul 3, 2024 — The Museum of the Moving Image celebrates the centenary with four features and a newly restored documentary.

Jul 1, 2024 — BAM will launch a nine-film series with the one film that stars both, Robert Altman’s 3 Women.

Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

Jun 20, 2024 — All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.

Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

May 31, 2024 — This week revives the ghost of Fellini and overflows with conversations about movies, movies, and more movies.