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Aug 30, 2021 — As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.

Aug 27, 2021 — This week we’re delving into the history of Black cinema and reflecting on films from Afghanistan and Iran.

Aug 24, 2021 — Andrzej Wajda’s masterful portrait of postwar Poland pits Communist ideals against the bitter realities of a new order.

Aug 20, 2021 — This week we’re appreciating performances from Elliott Gould and Elaine Stritch and delving into the work of Lav Diaz and Kevin Jerome Everson.

Aug 20, 2021 — The author of Velvet Was the Night pays tribute to the shockingly stripped-down, dread-inducing use of silence in Jean-Pierre Melville’s masterful neonoir.

Aug 19, 2021 — The producer and distributor offers a portrait of an exhibitor who helped shape the art-house moviegoing experience.

Aug 17, 2021 — Songbook It will always figure for me as an interval of eerily suspended time: not only a formative moviegoing experience but a jolt of awareness when the line between screen and life dissolved. In a dimly lit Tokyo cabaret the...

Aug 17, 2021 — D. A. Pennebaker turns his camera on Stephen Sondheim and the cast of his breakthrough musical in this revelatory documentary about artists at work.

Aug 13, 2021 — This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.

Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.