The Criterion Collection
Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.
Essays
Feb 18, 2025 — In her mainstream breakthrough, director Joan Micklin Silver envisions New York City through the eyes of a complicated, searching woman trying to figure out her place in the world.
The Daily
Feb 13, 2025 — Isolated sequences are dazzling, but as a whole, The Light may be difficult to buy into.
The Daily
Feb 11, 2025 — The Berlinale will screen several critical favorites fresh from their premieres at Sundance.
Feb 11, 2025 — Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.
The Daily
Feb 3, 2025 — The vibe in Park City was unsettling, but critics and juries discovered plenty of films to fall for.
The Daily
Jan 23, 2025 — In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.
The Daily
Jan 15, 2025 — Edward Berger’s improbably entertaining follow-up to All Quiet on the Western Front (2022) scores twelve.
The Daily
Dec 20, 2024 — Along with conversations with Jem Cohen and Johnnie To, the week brings fresh angles on the year that was.
Essays
Dec 11, 2024 — In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.