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The House

To paraphrase Tolstoy, happy families are all alike: they’re really boring to watch on-screen. Thus, cinema is besotted with deliciously unhappy ones.

Sep 29, 2003 In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

Jun 16, 2023 Daisy von Scherler Mayer is an American film and television director. She made her feature debut with the critically acclaimed cult classic Party Girl, which premiered at the Sundance Film Festival in 1995, and was recently streaming on the Criterion...

Jan 22, 2026 A singular achievement in Arab film history, Mohammed Lakhdar-Hamina’s sweeping political epic is a memorial to the lives lost in the struggle for Algerian independence.

Nov 18, 2025 This December, make yourself at home in some of cinema’s most memorable hotels, celebrate Julianne Moore’s bracingly human performances, or explore the trailblazing debuts of Black women filmmakers.

Apr 30, 2025 Elena Gorfinkel has written a new study of Loden’s groundbreaking feature and curated a season for the BFI.

Jun 27, 2023 With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.

Apr 21, 2020 What happens to the films slated to premiere at Cannes 2020? After all, the fall festival season is beginning to look pretty iffy, too.

Apr 12, 2017 British director Jack Clayton elicited landmark performances from a host of great ladies of the cinema, including Maggie Smith, Deborah Kerr, and Anne Bancroft.

Nov 15, 2011 Jean Renoir’s masterpiece is a dazzling accomplishment, original in form and style, a comic tragedy, absurd and profound, graced by two of the most brilliant scenes ever created.

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