The Criterion Collection
In Theaters
Apr 13, 2017 — Repertory Picks On Sunday evening, as part of the monthlong series In Transit: Refugees on Film, the UCLA Film & Television Archive will screen a 35 mm print of Jean-Pierre and Luc Dardenne’s La promesse (1996). Set in the filmmakers’...
Short Takes
May 24, 2016 — “I always thought of musicians as being the saints of our time,” says documentary filmmaker D. A. Pennebaker in a recent interview for the New York Times on the subject of his 1967 vérité portrait of Bob Dylan Dont Look...
In Theaters
Mar 24, 2016 — Repertory PicksThis week, the University of Chicago’s Doc Films kicks off a two-month-long Abbas Kiarostami series, starting with the Iranian director’s 1990 masterwork Close-up. Taken from the real-life story of Hossain Sabzian, a young man put on trial in Tehran...
Short Takes
Sep 2, 2015 — In preparation for our upcoming release of D. A. Pennebaker’s groundbreaking 1967 Bob Dylan documentary Dont Look Back, we recently visited the legendary filmmaker at his home, where he introduced us to an old friend. Photo by Grant Delin That’s...
Jul 13, 2015 — “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...
Production Notes
Apr 4, 2013 — 1. Director Robert Bresson originally titled his screenplay Aide-toi . . ., a reference to the French expression “Aide-toi et le ciel t’aidera” (“Heaven helps those who help themselves”). He ultimately decided instead to use the title Devigny’s journalistic account of his...
Jun 28, 2011 — Black Moon may well deserve the title of Louis Malle’s film maudit. The release in September 1975 of what he called his “mythological fairy tale taking place in the near future” disconcerted many, especially as people had expected him to...
Mar 16, 2010 — More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...
Jan 26, 2010 — "All roads lead to Rome Open City,” Jean-Luc Godard once said, playing on the old Italian proverb—and meaning, we can assume, that when thinking about modern cinema, one always has to come to terms with Roberto Rossellini’s seminal film. Indeed,...
Jan 12, 2007 — Ijust got back from an around-the-world trip to Minnesota, India, and Paris, and I did it all in about seven days. I’m not proud to admit that all of that traveling was actually done from the shabby couch in my...