Piece by Piece

Mar 16, 2010 — More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...

Feb 24, 2010 — Major Barbara: Stage to Screen It was one of the most improbable linkups in the history of either theater or cinema—as unlikely as Andrew Undershaft’s turning over his munitions empire to Adolphus Cusins, his not-quite-yet son-in-law (and newly declared “foundling”),...

Feb 17, 2010 — Hollywood craftsman Leo McCarey’s long unsung masterwork Make Way for Tomorrow will soon be garnering deserved attention—we’re releasing the Criterion special edition on DVD February 23. The first out of the gate to sing the film’s praises is Roger Ebert,...

Feb 3, 2010 — In the wake of J. D. Salinger’s death last week, at age ninety-one, appreciations of the reclusive Catcher in the Rye author will undoubtedly be sprouting up for quite some time. A new remembrance from Lillian Ross, in the New...

Jan 27, 2010 — This piece first appeared in the 1991 Wim Wenders collection The Logic of Images: Essays and Conversation (Faber and Faber), translated by Michael Hofmann. The story’s about a man who turns up somewhere in the desert out of nowhere and returns...

Jan 26, 2010 — If Paris, Texas is a love letter to America and American cinema, it now also has something of the feel of a farewell: the world to which Wenders pays homage is vanishing fast.

Jan 26, 2010 — "All roads lead to Rome Open City,” Jean-Luc Godard once said, playing on the old Italian proverb—and meaning, we can assume, that when thinking about modern cinema, one always has to come to terms with Roberto Rossellini’s seminal film. Indeed,...

Jan 25, 2010 — Unlike the more aesthetically and intellectually conceived French New Wave, Italian neorealism was above all an ethical initiative—a way of saying that people were important, occasioned by a war that made many of them voiceless, faceless, and nameless victims. But...

Jan 19, 2010 — A Belgian in New York It was in the 1970s, the first decade of her career, that Belgian filmmaker Chantal Akerman created the works that would define her. Informed as much by her brushes with the experimental film scene in...

Jan 19, 2010 — Tributes to Eric Rohmer have been springing up all over following his death last week at age eighty-nine. Among our favorites thus far is the one by Geoffrey O’Brien, who has written stirringly and lyrically about the French auteur on...