The Criterion Collection
Feb 5, 2020 — Performances Judy Davis chomps softly into Naked Lunch: into twisted behavior, into the nuanced meat of the moment, into the juicy black center of the psychic abyss. Bombed-out but supernally alert and incongruously amused, she injects a syringe into her...
The Daily
Feb 3, 2020 — Nearly half of the awards presented over the weekend went to female filmmakers.
The Daily
Jan 31, 2020 — This week: Scorsese’s actresses, Paul Schrader’s plans, Lynne Sachs on Godard, Ritwik Ghatak’s rising reputation, and Bong Joon-ho everywhere.
Jan 31, 2020 — The abortion drama slated for the Berlinale’s competition is being met with strong reviews at Sundance.
The Daily
Jan 30, 2020 — Elisabeth Moss plays Shirley Jackson, but Decker’s fourth feature is anything but a conventional biopic.
Jan 29, 2020 — The festival will premiere new work from Christian Petzold, Hong Sang-soo, Philippe Garrel, Sally Potter, Mohammad Rasoulof, and Tsai Ming-liang.
Jan 28, 2020 — Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...
The Daily
Jan 24, 2020 — This week we’re looking at new work from Víctor Erice, the varied oeuvre of Agnès Varda, the cinematic lighthouse, the making of Before Sunrise, and more.
Features
Jan 24, 2020 — All six feet two of Burt Lancaster is spread out next to Deborah Kerr as they kiss each other on the beach in From Here to Eternity (1953). This is one of the most famous movie love scenes, parodied and copied many...
Criterion Designs
Jan 22, 2020 — Studio Visits Bursting with life, Brooklyn-based artist Josh Cochran’s work has a way of drawing you in—and rewarding your attention. About a decade and a half ago, Cochran—who grew up in Taiwan and attended art school in California, and was...