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Aug 28, 2020 — This week’s highlights feature paintings brought to life, pioneering citizen journalists, early “race films,” and the first Japanese wave.

Aug 25, 2020 — The NYFF presents its inaugural Currents lineup, and the Berlinale’s acting awards are going gender-neutral.

Aug 21, 2020 — A free film school in a French banlieue, a nineteenth-century inventor, and a lesbian classic are among this week’s highlights.

Aug 20, 2020 — The one-of-a-kind actress gave us unforgettable performances in Days of Heaven and Out of the Blue.

Aug 18, 2020 — A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...

Aug 17, 2020 — Louise Brooks, Oliver Stone, James Stewart, Andy Warhol, and more are here to help relieve this year’s summer doldrums.

Aug 14, 2020 — One Scene Over the course of an adventurous career that encompassed narrative and documentary filmmaking as well as photography, sculpture, and video installation, Agnès Varda was a shape-shifter who merged her deep engagement with social reality with a playful, endlessly...

Aug 13, 2020 — A sharp panel recommends events around the world, while New York and Venice add titles to their lineups.

Aug 11, 2020 — The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...

Aug 11, 2020 — The Complete Films of Agnès Varda The poster for the seventy-second Cannes Film Festival, held in May 2019, used a photograph taken during the shooting of Agnès Varda’s first film, La Pointe Courte, in 1954. Wearing rolled-up trousers, a shirt,...