The Criterion Collection
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Jul 6, 2015 — The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....
Jul 22, 2014 — Jeanne Moreau’s flighty, enigmatic Jackie in Jacques Demy’s poetic drama is in the great tradition of dreamy Demy heroines.
Features
Jun 12, 2014 — The filmmaker’s latest offering at the film festival reaffirms the author’s faith in him.
Dec 10, 2013 — In 1998, I interviewed Little Edie Beale, the surviving star of 1976’s Grey Gardens, one of the Maysles brothers’ numerous masterworks (Gimme Shelter, Meet Marlon Brando, and With Love from Truman are equal in technical and emotional innovation). Miss Beale,...
Essays
Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.
Dec 18, 2012 — One Scene Every time I watch Ingmar Bergman’s Scenes from a Marriage, I am stunned that a film could be so full. Here is this thing stuffed with detail, design, behavior, emotion, surprise, and skill. Like Fanny and Alexander and...
Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.
Features
Aug 24, 2011 — bonne femme, à la [bohn FEHM, bohn FAM]Literally translated as “good wife,” the term bonne femme describes food prepared in an uncomplicated, homey manner. Sole bonne femme is a simply poached fish served with a sauce of white wine and...