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Feature Films

Apr 26, 2022 Bertrand Tavernier was well known as one of the world’s great champions of cinema, in addition to being a great filmmaker himself. He was also a lifelong student and fan of jazz music and had been wanting to make a...

Cinema Reborn 2022

The Daily

Apr 26, 2022 The Sydney-based festival of new restorations offers a rich set of globally accessible program notes.

Apr 25, 2022 During a precarious time for film exhibition, Inney Prakash, a programmer at the Maysles Documentary Center in Harlem, New York, had an idea to rethink the bounds of nonfiction cinema. He ended up conceiving Prismatic Ground, a festival that launched...

A Lot of Gaul

The Daily

Apr 22, 2022 Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.

Apr 20, 2022 Running parallel to Cannes, two independent programs will present work ripe for discovery.

Apr 19, 2022 With the extraordinary success of Drive My Car on the global festival and awards circuit, director Ryusuke Hamaguchi has emerged as one of the most beloved filmmakers in the world. In honor of today’s announcement of our upcoming edition of the movie,...

Apr 19, 2022 Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.

Remarkable Women

The Daily

Apr 15, 2022 This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.

April Books

The Daily

Apr 13, 2022 Marguerite Duras and Jean-Luc Godard, Cahiers du cinéma’s radical years, and Todd Haynes are among this month’s highlights.

Apr 12, 2022 The director of The Witch and The Lighthouse returns with a revenge-driven tale set in tenth-century Iceland.

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