F

Feb 7, 2018 — In celebration of Ingmar Bergman’s centennial, New York City’s Film Forum launches a five-week retrospective that encompasses a whopping forty-seven films.

Feb 7, 2018 — In this excerpt from a supplement on our edition of Elevator to the Gallows, jazz legend Miles Davis plays his improvised score to projected images from the film.

Feb 5, 2018 — In this excerpt from a supplement on our release of G. W. Pabst’s Kameradschaft, scholar Hermann Barth explores the painstaking work of set designer Ernő Metzner.

Jan 20, 2018 — On what would have been Saul Turell’s ninety-seventh birthday, Peter Cowie celebrates the man who was the beating heart behind Janus Films.

Jan 16, 2018 — The ravages of poverty in contemporary Britain are translated with vivid authenticity in this drama from celebrated filmmaker Ken Loach.

Jan 8, 2018 — Molly Ringwald and Ally Sheedy offer some of their impressions from the making of John Hughes’s pop-culture sensation.

Dec 26, 2017 — The great Austrian filmmaker spoke with us about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

Dec 21, 2017 — Ruben Östlund is the director of the acclaimed films Force Majeure and The Square, the latter of which won the Palme d’Or at the 2017 Cannes Film Festival.

Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.

Dec 20, 2017 — Barbet Schroeder’s General Idi Amin Dada: A Self-Portrait inspired an impassioned reaction from the film’s notorious subject and his community of fellow dictators.