The Criterion Collection
Mar 26, 2012 — A Night to Remember, the 1958 British film adaptation of Walter Lord’s 1955 book about the brief life and agonizing death of the Titanic, has proven unsinkable. With its Olympian yet unfailingly life-size view of the disaster that scuttled illusions...
Short Takes
Mar 16, 2012 — One Scene 1973 Ford Pinto with Tanguy Sky (“3 Women”) 2011 | oil on canvas | 40 x 60 inches Robert Altman’s 3 Women is a surrealistic and unsettling study in identity theft, where personalities intertwine and unravel amid the desolation of the American...
Jan 25, 2012 — Creating an effect of pity and terror unique in Francesco Rosi’s cinema, The Moment of Truth ought by rights to be counted among his finest achievements. On its original release in 1965, Pauline Kael acclaimed “the beauty of rage, masterfully...
Production Notes
Nov 29, 2011 — 1. Krzysztof Kieślowski directed all three films in the trilogy, Blue, White, and Red, in less than ten months (from September 1992 to May 1993). 2. The ending of Red was the first scene shot in the entire trilogy. Cinematographer Piotr Sobocinski decided that the image...
Features
Aug 24, 2011 — bonne femme, à la [bohn FEHM, bohn FAM]Literally translated as “good wife,” the term bonne femme describes food prepared in an uncomplicated, homey manner. Sole bonne femme is a simply poached fish served with a sauce of white wine and...
Aug 23, 2011 — Intimidation: The Weird Dream MakerImpassioned and dedicated craftsman of some of Japanese cinema’s biggest box-office successes and most eccentric off-genre sorties, longtime Nikkatsu studios mainstay Koreyoshi Kurahara (1927–2002) was a filmmaker with two opposite yet inseparable signature points of view....
Jul 26, 2011 — To a secular eye, Jean-Pierre Melville’s sixth feature film, Léon Morin, Priest (1961), is about almost anything except religion: the deleterious effects of sexual repression, the moral bleariness of wartime and life under occupation, the harsh inflections of history in...
Essays
Jul 12, 2011 — Heeeere’s Johnny, the desperate, destructive prophet-of-the-apocalypse protagonist of Mike Leigh’s brilliantly corrosive Naked (1993), a sexually explicit update to a long line of British films, plays, and novels about angry young men. Johnny might be mistaken for a mere misanthrope,...
Features
Jun 27, 2011 — A rogue’s gallery of vituperative 1950s vixens and night-world tough-guy gargoyles all coalescing in a constellation of twinkling cold war lights, Robert Aldrich’s Kiss Me Deadly is a film of a thousand stars. Stars of every sort, size, and description:...
Jun 21, 2011 — Chains: Bound for Glory Film history is replete with artists embraced by critics but misunderstood by the public. For Italian filmmaker Raffaello Matarazzo, it was the opposite. After working for almost two decades as a midlevel studio director of pictures...