A Misappropriated Turkey

Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.

Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.

Jun 27, 2022 — A retrospective in Los Angeles celebrates the publication of the director’s first novel.

Jun 23, 2022 — Along with celebrations of Dario Argento and George A. Romero, the season brings a series of more than a hundred nightmares.

Jun 22, 2022 — The long, quietly tense opening minutes of L’eclisse offer a blueprint for filmmakers looking to craft a devastating breakup scene.

Jun 17, 2022 — This week: Surrealism and cinema, a Cold War “travesty,” talking about Bruno, and walking in Hong Kong.

Jun 8, 2022 — The Indian director, actor, and producer’s early death has enshrined him as a tragic icon in public memory. But there is more to his art than misery.

Jun 7, 2022 — Olivier Assayas has his reasons for retelling the story of a remake.

Jun 2, 2022 — Along with a fresh round of new issues from film journals, we’re reading about Mike Leigh, Juliet Berto, Julie Dash, and Clint Eastwood.

Jun 1, 2022 — UCLA spotlights a diverse array of American lives depicted in films made between 1984 and 2020.