Us in the End

Aug 26, 2019 — In the first twenty-four features he directed, between 1925 and 1939, Alfred Hitchcock —always working closely with his wife Alma Reville (variously credited for assistant direction, screenplay, and continuity)—evolved from apprenticeship to technical mastery to an exuberant flowering that made...

Aug 23, 2019 — A good number of the pieces that have stood out this week examine the ways that music and cinema have informed each other’s traditions.

Jun 7, 2019 — He is the most disarming and self-effacing of the English actors who dominated stage and screen in the middle of the twentieth century—the others were John Gielgud, Ralph Richardson, Michael Redgrave, and Laurence Olivier. Those fellows carried themselves like grand...

May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.

Apr 23, 2019 — Elia Kazan can be and has been called many things: a cinematic genius, an actor’s director, a womanizer, a government stoolie, an uncompromising artist and three-time Academy Award winner. But whatever your opinion of his personality, his temperament, or his...

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.

Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.

May 15, 2018 — It’s the true story of a black detective who infiltrated the KKK—and Lee just might have a hit on his hands.

May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.

May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.