Sep 24, 2020 As video games have evolved into a technological and economic behemoth, they have attracted some consumer attention and spending away from movies. In part to appeal to filmgoers accustomed to the high production values of the big screen, large-budget games...

Empty Theaters

Features

Sep 23, 2020 First Person 1.In the past years I’ve often walked or bicycled alone to the small multiplex in my town, on weeknights. I like sitting by myself in movie theaters—I specify “by myself” to indicate my preference for going unaccompanied, as...

September Books

The Daily

Sep 23, 2020 From Hitchcock’s orbit to The Architecture of Cinematic Spaces, here’s some of this month’s best writing on new books.

Sep 22, 2020 Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...

Borderline Week

The Daily

Sep 17, 2020 Antonio Campos’s The Devil All the Time and Sean Durkin’s The Nest have A.V. Club writers revisiting the films they’ve made with Josh Mond.

Sep 16, 2020 When I think of Albert Brooks, the first image that invariably comes to mind is that of a worry-stricken man desperately impressing his anxieties upon a bemused, notably less nebbishy partner, presenting an elaborate case for the legitimacy of those...

Sep 15, 2020 For some, this nineteenth-century love story “never catches fire,” but for others, it’s “one of the finest films of the year.”

Sep 15, 2020 When Claire Denis’s Beau travail (1999) first appeared on American screens, the critic Stephen Holden used a striking phrase to capture its embracing of bold opposites: “voluptuous austerity.” His characterization, widely quoted since, illuminates the film on many levels, and...

Sep 11, 2020 As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

Sep 10, 2020 In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.

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