The Past

Apr 2, 2018 — Khalik Allah’s Black Mother premiered at last month’s True/False Film Fest, saw its international premiere at CPH:DOX in Copenhagen, has just screened in Paris at the fortieth Cinéma du réel, and screens this week at New Directors/New Films in New...

Feb 13, 2018 — Lucrecia Martel was at the International Film Festival Rotterdam this year not only to present Zama but also to deliver a masterclass. Giovanni Marchini Camia was there, and reports for Filmmaker: To illustrate her conception of mise en scène, Martel...

Jan 18, 2018 — The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...

Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Dec 3, 2017 — This past Thursday, the New York Film Critics Circle presented its round of awards, and now the Los Angeles Film Critics Association, founded in 1975, wraps the weekend by voting up its choices.Best Picture: Luca Guadagnino’s Call Me by Your...

Oct 1, 2017 — Last week, Deadline’s Amanda N’Duka reported that Julie Dash (Daughters of the Dust) “has signed on to direct an upcoming biopic on Rosa Parks, which will center on the decade before her seminal moment on a Montgomery bus, when Parks,...

Sep 25, 2017 — Last year, I Am Not Madame Bovary premiered at the Toronto International Film Festival, where it won the Special Presentations award from the International Federation of Film Critics (FIPRESCI) and would go on to win the top award at the...

Sep 2, 2017 — Remembering Jerry Lewis in a piece for the Guardian, Martin Scorsese recalls working with him on King of Comedy: “Jerry Langford was an uncomfortable role for him to play, because he was skirting the edges of his own life in...

Jun 26, 2017 — “There can be no debate over the fact that for most of its history Cannes has been the key launching pad for what will account for a fair percentage of the year’s most important films,” grants Cinema Scope editor Mark...

Jun 12, 2017 — “As incredible as it seems,” write Cristina Álvarez López and Adrian Martin in the new issue of Sight & Sound, “Philippe Garrel, at the precocious age of 16, had already sketched most of the now familiar elements of his cinematic...