The Criterion Collection
The Daily
Oct 4, 2024 — The week offers conversations with Francis Ford Coppola and John McNaughton, deep dives into a horror classic, and a guide to Indie’a Parallel Cinema.
The Daily
Oct 2, 2024 — The singer and songwriter who rerouted Nashville’s course became an unlikely but winning movie star.
The Daily
Sep 30, 2024 — Showered with accolades, loved, admired, and feared, Smith was one of the most accomplished stars of the stage and screen.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
Essays
Sep 24, 2024 — A sceenwriter, novelist, and longtime friend of director Todd Solondz recalls the admiration he felt upon first seeing this audacious ensemble drama, which offers an unflinching, compassionate look at the pain and abjection of being human.
The Daily
Sep 20, 2024 — Catching up with Todd Solondz, missing Maggie Cheung, and wrapping up the summer of 2024.
Sep 17, 2024 — A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.
The Daily
Sep 12, 2024 — Chime, a French remake of Serpent’s Path, and Japan’s Oscar submission, Cloud, have all premiered within months of each other.
The Daily
Sep 10, 2024 — A commanding presence on the stage and on movie and television screens, Jones could perform wonders with that voice.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.