Blacksmithing Scene

Dec 29, 2017 — We open a round of holiday listening and viewing with Bill Simmons and Sean Fennessey’s conversation (99’38”) at the Ringer with Paul Thomas Anderson about Phantom Thread, the few brief clashes he had with Burt Reynolds on the set of...

Dec 27, 2017 — Over the past couple of weeks, we’ve lost some writers who’ve made unique contributions to film criticism. At Film Studies for Free, Catherine Grant has posted an entry in memory of “radical film and media scholar” Chuck Kleinhans. “Along with...

Dec 26, 2017 — The great Austrian filmmaker spoke with us about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

Dec 25, 2017 — New York. The Film Society of Lincoln Center’s series Emotion Pictures: International Melodrama rolls on through January 7. “The genre of melodrama, which displays the grand, tragic passions that mark everyday lives while also detailing historical events that knock those...

Dec 22, 2017 — “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...

Dec 21, 2017 — The Trylon Cinema in Minneapolis throws the spotlight on the earliest works of one of French cinema’s most stylish innovators.

Dec 21, 2017 — With D. A. Pennebaker’s groundbreaking concert film, rock music solidified its status as a universal language.

Dec 21, 2017 — In this excerpt from an interview on our edition of The Piano Teacher, the Austrian director discusses the mechanics of one of the film’s most shocking sequences.

Dec 21, 2017 — The result of a tumultuous production, Orson Welles’s eccentric take on Othello infuses the play with a convulsive rhythm and disorienting sense of abstraction.

Dec 21, 2017 — No one has captured the complexities of forbidden love with more intimacy than Celia Johnson in David Lean’s classic romance.