The Criterion Collection
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.
Feb 3, 2009 — Luis Buñuel’s surrealist satire is the last film he made in Mexico, the last one in which he used Mexican actors, and most significantly the last one on which he worked with the great Mexican cinematographer Gabriel Figueroa.
The Daily
Feb 26, 2026 — This year’s program features a new restoration of a Martin and Lewis comedy in Technicolor and 3D.
The Daily
Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.
The Daily
Dec 11, 2025 — Charli XCX stars in three of them, and another highlight is a restored documentary by the late William Greaves.
The Daily
May 27, 2025 — The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.
May 13, 2025 — In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.
The Daily
Jan 9, 2025 — MoMA’s festival of film preservation spotlights films from around the world, ranging from the silent era through the 1980s.
Nov 26, 2024 — Combining sci-fi magic and a distinctly human sense of intimacy, Guillermo del Toro’s Oscar-winning film reimagines an oppressive era in American history through a tale of romantic fate.
The Daily
Apr 26, 2024 — This week offers reflections on the work of Ryusuke Hamaguchi, Béla Tarr, Satyajit Ray, Philip Seymour Hoffman, and Joan Chen.