Back To Search

After Many Years

May 8, 2020 The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

Apr 24, 2020 The range this week stretches from silent Soviet classics through Hollywood’s heyday and the Czech New Wave to the revolutions of the late twentieth century.

April Books

The Daily

Apr 20, 2020 This month sees new books by and about Woody Allen, Miranda July, and Michael Snow as well as fresh translations and collections of criticism.

Apr 16, 2020 Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...

Apr 15, 2020 1.In 1944, after an intense bidding war, Twentieth Century-Fox studio head Darryl Zanuck acquired the film rights to Ben Ames Williams’s Leave Her to Heaven for $100,000, then an exorbitant price for an unpublished work. Later that year, Williams’s mystery...

Apr 13, 2020 The director of House, dozens of experimental films, and thousands of commercials returned again and again to the devastation of the Second World War.

Apr 10, 2020 Songbook Edward Yang’s A Brighter Summer Day is the War and Peace of Taiwanese juvenile-delinquent movies. It is also part of a tradition of films that use the process of a character slowly learning a single song as a narrative-building...

Apr 9, 2020 The American Cinematheque premieres a delightful five-minute film that Varda made in 2008.

Apr 3, 2020 Everyone remembers their first time with Toshiro Mifune. With almost anyone else, such a first would be recollected with a shrug or a casual “it was . . . fine.” But Mifune induces delirious and perfect recall: of him flat...

Apr 3, 2020 Conversations with Frederick Wiseman and Quentin Tarantino and rediscoveries of forgotten critics and an Arab filmmaker are among this week’s highlights.

Current Page
135
of 197

You have no items in your shopping cart