The Criterion Collection
Essays
Jul 11, 2005 — Luchino Visconti’s adaptation of Fyodor Dostoyevsky’s short story balances realism and fantasy.
Jun 27, 2005 — Kô Nakahira’s taboo-busting melodrama heralded a reinvention of Japanese cinema.
Apr 28, 2003 — François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.
Apr 28, 2003 — François Truffaut’s short Antoine Doinel film exposes an entire universe of male adolescent experience.
Essays
Mar 10, 2003 — Vilgot Sjöman’s cultural-sexual sensation sparked much critical and popular mayhem, only to be consigned to nearly instantaneous oblivion.
Sep 23, 2002 — In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...
Essays
May 15, 2000 — Horror movies take place in their own territory. The trick is to get us there. It doesn’t matter whether they start with fantastic premises and gothic settings, or with ordinary neighborhoods and daily experience, because the places and assumptions change...
Essays
Nov 22, 1999 — Amarcord presents a scathing satirical critique of Italian provincial life during the 1930s, the height of the fascist period (1922–43). In this era, Mussolini’s dictatorship enjoyed its greatest popular support. While Fellini’s depiction of the provincial world under fascism provides...
Essays
Feb 22, 1999 — To experience a film by Japanese B-movie visionary Seijun Suzuki is to experience Japanese cinema in all its frenzied, voluptuous excess. Born in Tokyo in 1923, Seijun Suzuki is best known for a cycle of extraordinary yakuza (gangster) movies he...
Sep 23, 1993 — Two men, one woman and a boy. French director Bertrand Blier fashions out of this bizarre love quadrangle a film of seamless beauty, high farce and, finally, haunting majesty. To experience Get Out Your Handkerchiefs is to watch a master...