Ran

Dec 5, 2013 — Repertory PicksThe series Chris Marker: Guillaume-en-Égypte, currently running at the Harvard Film Archive in Cambridge, is a wide-ranging survey of the career of the brilliant cine-essayist and multimedia artist, who died last year at age ninety-one. Among the most politically...

Dec 3, 2013 — This scathing drama about a toxic society established Elio Petri as an important director of popular political entertainment in Italy.

Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.

Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?

Nov 18, 2013 — When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...

Oct 21, 2013 — As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...

Sep 10, 2013 — Novelist John Le Carré created one of literature’s most fascinating characters in Alec Leamas, The Spy Who Came in from the Cold’s main heavy, who is on a final, fateful mission in East Germany. In Martin Ritt’s movie version, now...

Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...

Aug 20, 2013 — We answer some questions about our decision to begin releasing dual-format editions, including both DVD and Blu-ray discs in one package.

Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.