Our Times

Jul 22, 2009 — Made in 1966 (so quickly that it could almost be considered an improvisation), Jean-Luc Godard’s twelfth feature is arguably the most quintessentially “Godardian” of the filmmaker’s early period— but for those of us in the United States, it is also...

Jul 21, 2009 — Jean-Luc Godard’s essay follows twenty-four hours in Juliette’s life, beginning and ending in the evening in the apartment she shares with her husband and two young children.

Jul 14, 2009 — Tough title to live up to. The lofty three-word phrase Al Reinert chose for his 1989 documentary on the Apollo space program comes from the plaque the first men on the moon, Neil Armstrong and Buzz Aldrin, left there in...

Jul 2, 2009 — This week, Agnès Varda’s beguiling new film, the autobiographical documentary The Beaches of Agnès, makes its U.S. premiere at New York’s Film Forum, and for the occasion A. O. Scott has profiled the indefatigable eighty-one-year-old auteur in a splendid article...

Jun 30, 2009 — With the fortieth anniversary of the first lunar landing nearly upon us (which we’re celebrating at Criterion with new DVD and Blu-ray special editions of the 1989 documentary For All Mankind), the brave men of the Apollo missions are once...

Jun 22, 2009 — So much critical ink has been shed over Last Year at Marienbad that one might wonder if the flood of commentary, once receded, would take the film along with it. Alain Resnais’ second feature has been lavishly praised and royally...

Jun 15, 2009 — With the arrival of this film, cinema catapulted to the front line of a cultural advance guard that sought to undermine the intractable mass taste promoted by Hollywood, television, and the Brill Building.

Jun 8, 2009 — As I write this, it has been a year and a half since Ingmar Bergman passed away—and I miss him daily. I miss his imagination and the comfort he gave, both personally and through his films. I got to know...

Apr 20, 2009 — The French scientist-educator-filmmaker Jean Painlevé’s groundbreaking work consistently revealed not only a commitment to informed science and effective communication but to the creative expression of ideas.

Apr 2, 2009 — Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...