Our Own

Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.

Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.

Aug 20, 2018 — A survey of some of the most notable titles to have appeared over the summer.

Aug 17, 2018 — Also, a personal remembrance of cinematographer Masaki Tamura.

Aug 15, 2018 — More Galas and Special Presentations, but also the full Masters, Wavelengths, and Contemporary World Cinema lineups.

Aug 13, 2018 — This year’s edition will feature new work from Tsai Ming-liang, Jodie Mack, Albert Serra, and Laida Lertxundi.

Aug 9, 2018 — The Academy’s announced three changes it hopes will ward off encroaching irrelevance.

Jul 30, 2018 — At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.

Jul 26, 2018 — The Grim Reaper faces off against two wildly different sets of opponents in a new Criterion Channel double feature, celebrating the hundredth birthday of Ingmar Bergman.

Jul 24, 2018 — A feast of sumptuous color and cinematic imagination, Powell and Pressburger’s postwar masterpiece is also a powerful reckoning with recent history.