I Love You

Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.

Jan 8, 2013 — 01   Because it’s the purest American road movie ever.  02   Because it’s like a drive-in movie directed by a French new wave director.  03   Because the only thing that can get between a boy and his car obsession is a...

Oct 1, 2020 — Martin Scorsese’s World Cinema Project No. 3 The film world and ordinary people(s) in the four corners of the globe have long awaited the home-video release of Soleil Ô (Oh, Sun, 1970), the groundbreaking feature debut of one of Africa’s...

Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.

Aug 13, 2018 — From Jeremy Irons in Dead Ringers to Kazuo Hasegawa in An Actor’s Revenge, performers who multitask as several characters in a single film tap into the essential uncanniness of cinema itself.

May 23, 2012 — Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.

Jun 7, 2017 — The Spanish filmmaker, whose short film Mystery is featured on the Criterion Channel, discusses his love for Luis Buñuel and the influence of Catholicism on his worldview.

Jan 17, 2012 — “I felt they showed more of me than they’d said they were going to,” Catherine Deneuve remarked to Pascal Bonitzer in 2004, about the making of Luis Buñuel’s 1967 Belle de jour. “There were moments when I felt totally used....

Nov 17, 2020 — Cinematographer Shabier Kirchner is having quite the year, with the rapturous reception of his work on Steve McQueen’s Small Axe films, which played at New York Film Festival and will launch on Amazon this Friday. Prior to this breakthrough, he’s...

Jun 30, 2016 — The film is is a high-water mark in the careers of its director, actors, and cowriter. But for design nerds, the contributions of Pablo Ferro, who designed the film’s iconic opening credit sequence, are just as notable.