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Always Be with You

Nov 22, 2011 12 Angry Men (1957), the first feature film directed by the legendary Sidney Lumet, is a Hollywood classic that, ironically, helped to define an era of filmmaking grounded in the gritty realism and frenetic energy of urban New York. A...

Aug 18, 2011 Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...

Apr 20, 2010 In 1992, I went to Paris to see some movies that weren’t turning up on these shores, at least not as quickly as I wanted them to. At the time, it meant something particular to be going to Paris to...

Sep 3, 2007 Iwas a cab driver once myself (in Los Angeles, in the mid-1970s), and I’ve been sensitive ever since to how the profession is portrayed on the screen. As it happened, I was driving a cab when Taxi Driver came out,...

Apr 25, 2005 Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.

May 26, 2003 Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.

Billy Liar

Essays

Jul 9, 2001 John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.

May 29, 2026 We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.

Mar 28, 2025 The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.

Nov 22, 2023 Quite an emotional range this week, from musicals and romantic comedies to the terror of nuclear war.

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