Jun 8, 2018 On a rainy Saturday in May that called to mind the foggy Pacific Northwest atmospheres of Twin Peaks, a crowd gathered at the music venue Brooklyn Steel for a journey through the world of David Lynch. Celebrating its third annual...

Jun 5, 2018 The festival’s anniversary edition opens with a celebration of Wax Trax! Records.

May 24, 2018 A series in New York celebrates an illustrious, multifaceted talent.

May 17, 2018 Repertory Picks On Sunday afternoon and Wednesday evening, at Film Streams’ historic Dundee Theater in Omaha, Nebraska, Ettore Scola’s 1977 film A Special Day will show on the big screen. Anchored by against-type turns by screen icons Sophia Loren and...

Jan 26, 2018 We turn first to IndieWire’s David Ehrlich: “‘The emotions you are having are not your own, they are someone else’s. You are not the cat—you are inside the cat.’ So begins Josephine Decker’s Madeline’s Madeline, an ecstatically disorienting experience that...

Jan 26, 2018 “I’m glad that I wasn’t familiar with the work of comedian and YouTube star Bo Burnham before seeing his directorial debut Eighth Grade,” begins the Village Voice’s Bilge Ebiri, “because otherwise I’m not sure how I would have initially received...

Jan 25, 2018 “I don’t scare easily,” begins A. A. Dowd at the A.V. Club. “So it’s a special kind of awful, a rare treat of sorts, when something comes along that actually gets past my defenses, that does more than make me...

Jan 24, 2018 Deadline’s Patrick Hipes reports that NEON has just picked up North American rights to Three Identical Strangers, while CNN Films retains U.S. broadcast rights. “Tim Wardle’s documentary looks back at a human-interest story that captivated the world in the early...

Jan 22, 2018 “It is a part he was born to play, and he does it with exactly the right kind of poignantly ruined magnificence,” begins the Guardian’s Peter Bradshaw. “Rupert Everett has written, directed and starred in this gripping drama about Oscar...

Jan 20, 2018 “American Animals is nothing if not a movie that arrives at some very simple truths in the hardest way possible,” writes IndieWire’s David Ehrlich. “A slick, well-acted, and intensely self-reflexive docudrama from the director of The Impostor, [Bart] Layton’s first...

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