The Criterion Collection
Jul 22, 2014 — Jeanne Moreau’s flighty, enigmatic Jackie in Jacques Demy’s poetic drama is in the great tradition of dreamy Demy heroines.
Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...
Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.
Jun 20, 2014 — Peter Weir’s sun-dappled, sexually charged nightmare about a disappearance in turn-of-the-twentieth-century Australia still unnerves due to its radical lack of resolution.
Jun 17, 2014 — The brutal lessons of Vietnam remained in America’s national consciousness for a generation. September 11 gave us collective amnesia, and they’ve had to be learned again.
Interviews
Jun 5, 2014 — The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.
Essays
May 27, 2014 — Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.
May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.
Essays
May 6, 2014 — This humorous magazine piece from 1970 sheds some light on the meaning of the title of Il sorpasso, along with the way Vittorio Gassman comports himself behind the wheel in it.
Features
May 1, 2014 — When Walter Wanger conceived the movie that would become Riot in Cell Block 11, he wasn’t thinking in terms of pop culture. The longtime independent film producer, with classics (and Criterion releases) such as Stagecoach and Foreign Correspondent to his...