The Criterion Collection
Essays
Aug 2, 2004 — Anna Magnani’s flair for demotic street comedy was transfigured into stylized nobility by sumptuous costuming and Jean Renoir’s formal camera work.
Mar 13, 2000 — The following is excerpted from The Shifting Point, Peter Brook’s 1987 autobiography. All I wanted was a small sum of money, no script; just kids, a camera, and a beach. A young American, Lewis Allen, felt that private backers could...
Essays
Feb 22, 1999 — To experience a film by Japanese B-movie visionary Seijun Suzuki is to experience Japanese cinema in all its frenzied, voluptuous excess. Born in Tokyo in 1923, Seijun Suzuki is best known for a cycle of extraordinary yakuza (gangster) movies he...
Jun 30, 2025 — The Austin Film Society spotlights nine performances, each of them a unique declaration of independence.
The Daily
Jun 18, 2025 — Bologna’s festival of rediscoveries and restorations now draws around 130,000 attendees each year.
Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”
Features
Apr 28, 2011 — When Criterion producer Susan Arosteguy was at the South by Southwest film festival in Austin, Texas, last month, she met local cooking teacher and cinephile Ron Deutsch in line for a screening. They got to chatting, and Ron told Susan...
The Daily
Feb 28, 2025 — We’ve gathered some of the best writing on each of the nominees for Best Picture Oscar.
The Daily
Aug 2, 2024 — Along with the new Senses of Cinema, we’re reading interviews with Michael Roemer, Claire Denis, and M. Night Shyamalan.
Interviews
Jul 18, 2024 — A pioneer of the 1980s downtown New York arts scene, the director of Sleepwalk talks about navigating her creative life in the city and the inspiration she has taken from mythology, fairy tales, and cinéma fantastique.