The Criterion Collection
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
The Daily
Sep 18, 2020 — The late scholar Robert Bird’s final essay on Tarkovsky and fresh writing on Béla Tarr, Eric Rohmer, and more are among this week’s highlights.
The Daily
Sep 17, 2020 — Antonio Campos’s The Devil All the Time and Sean Durkin’s The Nest have A.V. Club writers revisiting the films they’ve made with Josh Mond.
The Daily
Sep 11, 2020 — As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.
Sep 9, 2020 — Performances In the mid-1960s, the Bengali director Mrinal Sen reportedly accused his contemporary Satyajit Ray of selling out. “Mrinal said—now he has sunk to the level of using a matinee idol!” Ray would later laugh to his biographer, Andrew Robinson....
The Daily
Sep 4, 2020 — Black directors recommend films that have had an impact on their work. Also this week: Chris Hegedus and D. A. Pennebaker, Yasuzo Masumura, Takashi Miike, and Alan Clarke.
Features
Sep 1, 2020 — It’s not impossible to be a lazy, shrug-it-off filmmaker, just as it isn’t to be a lazy painter or novelist, or, more to the point, a lazy comic artist, drawing each picture merely once and then moving on. (You could...
The Daily
Aug 28, 2020 — This week’s highlights feature paintings brought to life, pioneering citizen journalists, early “race films,” and the first Japanese wave.
Aug 28, 2020 — One severe pan, a good handful of raves, and a set of fence-straddling reviews recommending that viewers go ahead and proceed—but with caution.
Aug 18, 2020 — A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...