The Criterion Collection
Essays
Sep 26, 1993 — Kon Ichikawa’s magisterial achievement is a barbed, poignant, and seductive elegy that draws on the skills he acquired over his four-decade career.
Mar 9, 1992 — The ads for Boyz N the Hood, the debut of a 23-year old writer-director named John Singleton, treated the film as if it took place in another galaxy—a mysterious fiefdom far, far away. And so it does, set in a...
Essays
Jan 13, 1992 — Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...
Essays
Oct 21, 1991 — Written under the German occupation of France, and produced with the sanction of occupation censors, Marcel Carné’s masterpiece began shooting on August 17, 1943, at the Victorine Studios in Nice.
Essays
Dec 3, 1990 — Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...
Essays
Mar 5, 1990 — Vittorio De Sica’s neorealist masterwork is one of the greatest portraits of old age and loneliness ever brought to the screen.
Essays
Feb 11, 1990 — Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.
Nov 19, 1989 — Almost as long as they’ve been able to talk, films have been able to sing and dance. Frequently high-style, often rapturously romantic, most musicals have nonetheless been content to remain light, sophisticated entertainment. Still, there has always been a minority...