The Criterion Collection
Features
May 30, 2014 — The long relationship between director and festival has never been without its complications.
Mar 24, 2014 — Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.
Jan 18, 2012 — Poto and Cabengo: Three-Part Harmony Jean-Pierre Gorin’s three Southern California movies are so militantly unclassifiable that terms like documentary or essay film seem as hopelessly out of sync with the recalcitrant and frequently exhilarating works themselves as a Marxist harangue in...
Oct 12, 2010 — This essay originally appeared in the October 1990 issue of Cahiers du cinéma. Translated by Stephen Sarrazin. The Magician is one of Bergman’s most enigmatic films, perhaps his underground masterpiece, one of the keys to his cinema. Traveling actors, maids...
Apr 28, 2010 — Just over halfway through Ang Lee’s masterful Civil War drama Ride with the Devil, the small group of men at the story’s center, young, Southern-sympathizing Bushwhackers fighting in divided Missouri, meet up with other ragtag bands of rebels. Coalescing under...
Essays
Nov 23, 2008 — Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his characters in particular and for people in general.
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Jan 27, 2007 — Despite all the hype (or maybe because of it), it wasn’t that hard to get into the films I wanted to see. Standing on the last minute wait line worked for me every time, although that might say something for...
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton
Features
Mar 11, 1993 — Released the year before Close Encounters of the Third Kind and Star Wars, Nicolas Roeg’s terrestrial space opera is devoid of matte shots, models, or pyrotechnics, and it leaves us not wondering at the stars but grieving for ourselves.