The Criterion Collection
Apr 20, 2009 — The French scientist-educator-filmmaker Jean Painlevé’s groundbreaking work consistently revealed not only a commitment to informed science and effective communication but to the creative expression of ideas.
Essays
Apr 2, 2009 — Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...
Feb 9, 2009 — Luis Buñuel’s ferociously brilliant The Exterminating Angel (1962) is one of his most provocative and unforgettable works. In it, we watch a trivial breach of etiquette transform into the destruction of civilization. Not only does this story undermine our confidence...
Jan 21, 2009 — It’s a clichéd truism that moviemaking is a collaborative art. Of course it is, and there are dozens, if not hundreds, of examples of directors working time and again with the same crew members, trusted writers, cameramen, production designers, editors,...
Essays
Jan 19, 2009 — In 1929, a fifty-one-year-old Congregationalist pastor named Lloyd C. Douglas published his first novel. It was a ramshackle sort of book, at its core an undiluted Christian sermon on the life-transforming power of charitable works. But it was a sermon...
Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.
Essays
Nov 27, 2008 — Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Essays
Nov 2, 2008 — To see the gorgeous Fanfan la Tulipe is to go back in time twice over: to the film’s eighteenth-century French setting and to the international cinema world of more than fifty years ago, when this genial action farce was initially...
Essays
Sep 15, 2008 — Max Ophuls’s 1952 comedy celebrates existence by presenting a world full of unresolvable contradictions.