The Criterion Collection
Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...
Essays
Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.
The Daily
Jan 31, 2025 — As an Australian classic turns fifty, we’re also reading about Leos Carax and Catherine Breillat.
The Daily
Sep 18, 2024 — We’re reading or anticipating new books from Pedro Almodóvar, Al Pacino, Werner Herzog, and Cher.
The Daily
May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.
The Daily
Nov 28, 2023 — Past Lives came out on top in New York, while Stonewalling triumphed in Taipei.
The Daily
Dec 16, 2022 — This week: Molly Ringwald and Caroline Champetier on Godard, interviews with Tony Kushner and Park Chan-wook, and the new Brooklyn Rail.
The Daily
Nov 9, 2022 — New York’s Metrograph presents films by Park Chan-wook, Bi Gan, Ang Lee, Johnnie To, and Michael Mann.
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...