We Own the Night

Mar 8, 2021 — “I see the beauty now,” my mother told me when I asked her what she thought of Cicely Tyson’s face, about a week after the pathbreaking actor died in January at ninety-six. “But I didn’t then.” By “then,” she meant...

Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...

Apr 18, 2011 — An Eagle for an Emperor, a Gyrfalcon for a King;   a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady;   a Goshawk for a Yeoman, a Sparrowhawk for a Priest,   a Musket...

Sep 23, 2002 — In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...

Jan 31, 2022 — What have the critics been saying about this year’s winners?

Dec 15, 2021 — The Film Independent Spirit Awards usher in a fresh round of contenders, while critics across the country vote for their favorites.

May 7, 2021 — Critics celebrate the new 4K restoration of The Story of a Three Day Pass (1968).

May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.

Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.

Dec 6, 2017 — Before breaking events down by city, let’s note that, to celebrate its fiftieth anniversary, Canyon Cinema is taking four 16 mm programs and two digital packages on the road—coast to coast and many, many points in between. Here’s a map...