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We Are the Night

Diabolique

Essays

Feb 1, 1999 After finishing Diabolique, heralded French director-screenwriter Henri-Georges Clouzot (1907–1977) confessed that all he had intended was to make a picture that would “amuse myself” and please a young girl who hid under the covers and asked her father to frighten...

The Lubitsch Touch

The Daily

Apr 6, 2026 New York’s Film Forum screens thirteen features by the master of urbane comedy.

Dec 17, 2025 This January, savor multiple levels of nostalgia with a survey of ’90s cinema’s riffs on the ’70s, or turn a new page with a collection of films about dreamers seeking fresh starts in life.

Aug 19, 2025 This month’s programming celebrates the centenary of the great American filmmaker Robert Altman, the career of Oscar-winning actor Jodie Foster, and much more.

Is That the Time?

The Daily

Jan 3, 2025 We spent the holidays reading about Claude Sautet, Pascal Plante, and Christian Marclay.

Aug 16, 2024 With her partner, John Cassavetes, Rowlands made some of the most vital and alive films in all of American cinema.

Jan 3, 2024 The new year will bring us new work from Leos Carax, Bong Joon Ho, Francis Ford Coppola, Mike Leigh, David Cronenberg, Celine Song . . .

Jun 28, 2022 Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.

Dec 29, 2020 Alongside the traditional top tens, critics are offering imaginative pairings and lists of the best audiovisual essays and title sequences of the year.

May 29, 2020 This week we’re learning about one of the world’s first tracking shots and catching up with Guy Maddin, Lewis Klahr, Sarah Cooper, and Steve Buscemi.

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