The Criterion Collection
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.
Mar 12, 2007 — Kon Ichikawa’s incendiary and extraordinarily brutal war film renders the emotional carnage that festers long after the battle’s end.
Mar 18, 2003 — Director William Dieterle’s 1941 film adaptation of Stephen Vincent Benét’s short story “The Devil and Daniel Webster” is a melodramatic fever dream, a hallucinatory tour de force.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.
Nov 19, 1992 — In Hieronymous Karl Friedrich, Baron von Munchausen, the greatest liar in history outside of politics, director Terry Gilliam has found perhaps his closest fictional counterpart.
Essays
May 25, 1992 — Cecil B. DeMille’s spectacle turned out to be the silent screen’s most elaborate realization of “the greatest story ever told.”
The Daily
Jun 18, 2026 — Martin Scorsese, Agnès Varda, Lars von Trier, and Katharine Hepburn are just a few of the names you might be adding to your summer reading list.
The Daily
Apr 24, 2026 — Great writing this week on Maurice Pialat, Paul Newman, Johnnie To, Mark Fisher, and wrestlers.
The Daily
Feb 26, 2026 — This year’s program features a new restoration of a Martin and Lewis comedy in Technicolor and 3D.
Feb 24, 2026 — For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.