The Criterion Collection
The Daily
Dec 2, 2019 — For Sama is the surprise winner at the the British Independent Film Awards, and John Waters picks his favorite films of 2019.
The Daily
Aug 14, 2019 — A week into this year’s edition, a few critical favorites are emerging from the competition.
May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.
Essays
Mar 30, 2015 — The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.
The Daily
Jul 5, 2023 — Antoine Bourges’s subtle portrait of a Syrian family in Toronto will open on July 21.
Feb 14, 2022 — A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.
The Daily
Jan 27, 2022 — As John Cameron Mitchell’s newly restored second feature returns to theaters, many wonder if it could possibly be made today.
Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...
The Daily
Sep 1, 2017 — New York. “A film series dedicated to one episode of a television series is—without going overboard—fairly unprecedented,” writes Jeremy Polacek for Hyperallergic, previewing Gotta Light?, the Metrograph series built around Episode 8 of Twin Peaks: The Return, now on through...
May 21, 2017 — Sea Sorrow, premiering Out of Competition at the Cannes Film Festival, is Vanessa Redgrave’s directorial debut. “A heartfelt, formally messy documentary about the international refugee crisis, the movie is largely a plea for compassion and action,” writes Manohla Dargis in...