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The Force

BIFAs and Indies

The Daily

Dec 2, 2019 For Sama is the surprise winner at the the British Independent Film Awards, and John Waters picks his favorite films of 2019.

Aug 14, 2019 A week into this year’s edition, a few critical favorites are emerging from the competition.

May 17, 2016 Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.

Mar 30, 2015 The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.

Jul 5, 2023 Antoine Bourges’s subtle portrait of a Syrian family in Toronto will open on July 21.

Feb 14, 2022 A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.

Jan 27, 2022 As John Cameron Mitchell’s newly restored second feature returns to theaters, many wonder if it could possibly be made today.

Feb 26, 2020 Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...

Sep 1, 2017 New York. “A film series dedicated to one episode of a television series is—without going overboard—fairly unprecedented,” writes Jeremy Polacek for Hyperallergic, previewing Gotta Light?, the Metrograph series built around Episode 8 of Twin Peaks: The Return, now on through...

May 21, 2017 Sea Sorrow, premiering Out of Competition at the Cannes Film Festival, is Vanessa Redgrave’s directorial debut. “A heartfelt, formally messy documentary about the international refugee crisis, the movie is largely a plea for compassion and action,” writes Manohla Dargis in...

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