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The Artist

Apr 27, 2016 In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.

Nov 24, 2015 In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Aug 17, 2015 François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.

Nov 17, 2014 Claudette Colbert and Clark Gable’s effortless banter is pure magic, but Frank Capra’s comedy is rooted in the reality of the times.

Nov 15, 2013 Of the many qualities that distinguish Noah Baumbach’s Frances Ha, one that immediately stands out is the glistening black-and-white cinematography. By choosing to shoot in monochrome, Baumbach, with the help of director of photography Sam Levy, makes New York City—and...

Aug 14, 2012 The Dardennes threw down the gauntlet for a new type of unadorned dramatic storytelling with their breakthrough tale of a working-class boy’s fraught coming-of-age.

May 25, 2012 The following article by the filmmaker himself originally appeared in the German newspaper Die Filmwoche on May 20, 1931.

Aug 15, 2011 Celebrated as Stanley Kubrick’s first mature film and made when he was only twenty-eight years old, The Killing (1956) is remarkable for boldly announcing so many of the stylistic and thematic preoccupations that would become important constants of his cinema....

Jul 19, 2011 In May 1956, an Indian film was screened at the Cannes Film Festival. It wasn’t well attended. The Indian delegation had done little to promote it, arranging only a single midnight screening that clashed with a party in honor of...

Mar 22, 2011 In 1985, deep into the twelve-year reign of the Reagan-Bush administration, Rob Epstein mounted a Hollywood stage with Richard Schmiechen, both men resplendent in tuxedos. Epstein was only twenty-nine years old. The director had just made history, with producer Schmiechen,...

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